Paul Gross & Gordon Pinsent will contribute voices to an animated movie!!
Donald Sutherland’s production company, Martin’s River Ink, Inc., announces start of production of a new, animated movie, Pirate’s Passage, with animation work by PIP Animation Services Inc. in Ottawa. Upon completion it will air on CBC Television.
“Pirate’s Passage is a thrillingly exhilarating adventure, a glorious coming-of-age-story, rich in both imagination and history, in perception and truth,” said producer, screenwriter and star Donald Sutherland. “I couldn’t put the book down. It resonated with the clearest image of the man inside every boy’s being that I could imagine. It was life writ true and I knew Jim and Captain Johnson’s marvelous journey had to be seen on screen.”
Pirate’s Passage is based on William Gilkerson’s critically acclaimed novel, which won Canada’s Governor General’s Award for Children’s Literature in 2006. Hollywood icon Donald Sutherland (Crossing Lines, The Hunger Games, Pride & Prejudice) and his partner and co-writer, Brad Peyton (Journey 2: The Mysterious Island, Cats & Dogs: The Revenge of Kitty Galore), will produce the film. Sutherland will voice the lead character, Captain Johnson. Peyton will co-direct alongside Mike Barth of PIP Animation.
Cast alongside Sutherland is Gage Munroe (The Immortals, One Week), as the young hero Jim Hawkins; Carrie-Anne Moss (The Matrix, Memento) as his hard-luck mother Kerstin Hawkins; Kim Coates (Black Hawk Down, Sons of Anarchy) as ruthless local businessman; Roy Moehner; Rossif Sutherland (King, Reign) as his bullying son Klaus Moehner; Colm Feore (The Borgias, 24) as Jim’s Uncle Robin; Megan Follows (Reign, Anne of Green Gables) as Meg, the Hawkins’ employee and overprotective friend; veteran Canadian actors Paul Gross and Gordon Pinsent as, respectively, the pirate Calico Jack and local barber Harry Freelove; and Terry Haig (The Aviator) as Jim’s teacher Mr. Herkes.
Voice work will take place in Toronto and at POP Sound in Santa Monica, CA.
Pirate’s Passage is set in 1952 in Grey Rocks, Nova Scotia, a centuries old town on the south shore that was famous 250 years ago as a favoured port of pirates. The chief protagonist is 12-year-old Jim, a lad who suffers daily the death of his father and the schoolyard bullying of Roy Moehner’s son Todd, but carries on, buoyed by an optimistic imagination fueled with a vivid sense of adventure. His widowed mother is struggling to keep their livelihood — the Admiral Anson Inn — from falling into the hands of Moehner. It is an ongoing battle until the sudden arrival of Captain Johnson, whose small sailboat has been thrown off course by a storm, changes the family’s life. The Captain rents a room at the Inn and with cash up front, and the mother’s financial burden is temporarily eased. The Captain, under the distrustful eye of Meg, the Inn’s housekeeper, quickly inserts himself as a mentor and friend to Jim, helping him with his essay for school on Pirates and, while he’s at it, giving him extraordinary lessons in self-reliance and determination until Jim turns the tables, developing a liberating self-assurance all his own that so deeply touches the Captain that he allows Jim to see evidence that the Captain may be more than meets the eye. Is Captain Johnson the same Charles Johnson who was a pirate there two hundred years ago? What does he mean when he talks about the “Pirates” of today? The lad goes with him on a literal journey into the past to find out.
The young man who comes back from that trip has well learned the Captain’s mantra: ‘listen, think, respond!’ Listen Think Respond informs his brain, his heart, his nerves and his muscles. He sets his sails, he determines his ship, he is now able to deal with every storm he and his family will encounter. How he came to discover the course he sets for his life is the story of Pirate’s Passage.
The Governor General’s Award jury commended Pirate’s Passage for taking “a maverick approach to history,” calling it “a challenging children’s novel with a dangerous edge” and “a work of genius, a benchmark in Canadian Literature.”